Educational Acmeology. Developmental Psychology

Izvestiya of Saratov University.

ISSN 2304-9790 (Print)
ISSN 2541-9013 (Online)


For citation:

Ryaguzova E. V. Communication of a person with a literary text as an “honoured interlocutor”. Izvestiya of Saratov University. Educational Acmeology. Developmental Psychology, 2022, vol. 11, iss. 1, pp. 16-23. DOI: 10.18500/2304-9790-2022-11-1-16-23

This is an open access article distributed under the terms of Creative Commons Attribution 4.0 International License (CC-BY 4.0).
Full text:
(downloads: 146)
Language: 
Russian
Article type: 
Article
UDC: 
316.6: 159.9

Communication of a person with a literary text as an “honoured interlocutor”

Autors: 
Ryaguzova Elena V., Saratov State University
Abstract: 

The article presents the results of the scientifi c refl ection on the communication of a person with a literary text. The latter is understood widely as a product of any aesthetic creative activity of the author. It acts as the author’s open invitation to a dialogue. The author uses the anthropological metaphor and philosopheme “honored interlocutor” proposed by a. A. Ukhtomsky as a key concept in the refl ection on the interaction of a person with cultural artifacts. Communication of an individual with a literary text is positioned as co-existence, i.e. it is a way of being together in a single mode of “We”, an existential dialogue between the addresser, the addressee and the polyphonic Others who are represented in the world of art by various fi gures, heroes, characters and texts. The article analyses the network of intersecting interactions between all the subjects of aesthetic communication. Attention is focused on personal characteristics (incorporated cultural capital, specifi cs of motivation, goal-setting, peculiarities of values and interests), and on possible emotional and behavioural statuses and subject positions of the addressee (observer, interlocutor, co-creator). The researcher argues that by entering into communication with literary texts, the viewer / reader / listener understands, accepts and internalises only those of them that he deserves due to his subjective activity, aesthetic competence, responsible actions and personal eff orts. However, he receives as a gift those rewards that he himself deserves, fi nding them in the transformed inner world and in the opening spiritual perspectives.

Reference: 
  1. Shklovskiy V. B. O teorii prozy [On the Theory of Prose]. Moscow, Sovetskiy pisatel′ Publ., 1983. 384 p. (in Russian). 
  2. Lotman Yu. M. About two models of communication in the cultural system. In: Lotman Yu. M. Izbrannye stat′i v trekh tomakh. T. 1. Stat′i po semiotike I topologii kul′tury [Selected Articles in Three Volumes. Vol. 1. Articles on the Semiotics and Topology of Culture]. Tallin, Alexandra Publ., 1992, pp. 76–90. (in Russian). 
  3. Semenov V. E. Iskusstvo kak mezhlichnostnaya kommunikatsiya [Art as Interpersonal Communication]. Samara, Izdatel′stvo “Tsentr RAN”, 2007. 199 p. (in Russian).
  4. Ryaguzova E. V. “The Other in Artistic Reality” as a Source of Self-Knowledge of a Personality. Izvestiya of Saratov University. Educational Acmeology. Developmental Psychology, 2012, vol. 1, iss. 4, рр. 16‒22 (in Russian). 
  5. Zinchenko V. P. Generation of Meaning: Metaphor's Assembling. Cultural-Historical Psychology, 2007, vol. 3, no. 3, pp. 17–32 (in Russian). 
  6. Snegireva T. V. “The Other” as an experience spirituality. Counseling Psychology and Psychotherapy, 2012, no. 4 (75), pp. 30‒59 (in Russian). 
  7. Darensky V. Ju. A. A. Ukhtomsky’s philosophy as existential hermeneutics. Philosophical Polylogue: Journal of the International Center for the Study of Russian Philosophy, 2019, no. 2 (6), pp. 46‒58 (in Russian). DOI: https://10.31119/phlog.2019.6.4 
  8. Ukhtomskiy A. A. Zasluzhennyi sobesednik. Etika. Religiya. Nauka [Honored Interlocutor. Ethics. Religion. The Science]. Rybinsk, Rybinskoe podvor’e Publ., 1997. 567 p. (in Russian).
  9. Ukhtomskiy A. A. Intuitsiya sovesti.: Pis’ma. Zapisnye knizhki. Zametki na polyakh [Intuition of Сonscience. Letters. Notebooks. Marginal notes]. St. Petersburg, Peterburgskiy pisatel′ Publ., 1996. 525 p. (in Russian).
  10. Foucault M. Le Courage de la vérité. Le gouvernement de soi et des autres II. Cours au Collège de France, 1984. Paris, Éditions de l’École des Hautes Études en Sciences Sociales, Gallimard, Éditions du Seuil, coll. «Hautes Etudes», 2009. 368 p. (Russ. ed.: Fuko M. Muzhestvo istiny. Upravlenie soboy i drugimi. II. Kyrs lek - tsiy, prochitannykh v Kollezh de Frans v 1983‒1984 uchebnom godu. St. Petersburg, Nauka Publ., 2014. 358 p.). 
  11. Bakhtin M. M. Estetika slovesnogo tvorchestva [Aesthetic of Verbal Art]. Moscow, Iskusstvo Publ., 1986. 445 р. (in Russian). 
  12. Bart R. Izbrannye raboty : Semiotika. Poetika [Selected Works : Semiotics. Poetics]. Moscow, Progress Publ., Univers Publ., 1994. 616 p. (in Russian; trans. from French). 
  13. Kristeva Yu. Text of the Novel. In: Kristeva Yu. Selected Works : Destruction of Poetics. Moscow, ROSSPEN Publ., 2004. P. 395‒582 (in Russian; trans. from French). 
  14. Eco U. Notes on the margins of the “Name of the Rose”. In: Eco U. Name of the Rose. Moscow, Knizhnaya palata Publ., 1989, pp. 427‒467 (in Russian; trans. from Italian). 
  15. Derrida J. Pozitsii [Positions]. Kiev, D. L. Publ., 1996. 192 p.
  16. Bourdieu P. Forms of Capital. Economic Sociology, 2005, vol. 3, no. 5, pp. 60–74 (in Russian; trans. from English). DOI: 10.17323/1726-3247-2002-60-74 
  17. Bychkov V. V., Mankovskaya N. B. Phenomenological and receptive aspects of aesthetic experience. Bulletin of Slavic Cultures, 2015, no. 2 (36), pp. 179–194 (in Russian). 
  18. Vygotskiy L. S. Psikhologiya iskusstva [Psychology of Art]. St. Petersburg, Azbuka Publ., 2016. 448 p. (in Russian). 
  19. Gadamer G.-G. Man and Language. In: Mikhailov A. A., sci. ed. From Me to Another. Collection of Translations on the Problems of Intersubyectivity, Communication, Dialogue. Minsk, Mensk Publ., 1997, pp. 130‒141 (in Russian; trans. from English). 
  20. Djikic M., Oatley K. The art in fi ction: From indirect communication to changes of the self. Psychology of Aesthetics, Creativity, and the Arts, 2014, vol. 8, iss. 4, pp. 498–505. DOI: 10.1037/a0037999
  21. Bychkov V. V., Mankovskaya N. B. Artistisity as metaphysical foundation of aesthetic experience and criterion of art authenticity identification. Bulletin of Slavic Cultures, 2017, vol. 43, pp. 220–241 (in Russian).
Received: 
23.10.2021
Accepted: 
09.12.2021
Published: 
31.03.2022